As previously reported, both Philip Anselmo and Rex Brown are ready to patch things up with Vinnie Paul Abbott and perhaps setup a PANTERA reunion with Zakk Wylde on guitar. From what we have been told, it wouldn't be a full fledged reunion for PANTERA but simply a tribute jam to Dimebag Darrell Abbott (Vinnie's brother).
However, Vinnie Paul has said that "I just don't have any interest in it, man. I'm happy doing what I do, I'm enjoying being in a band where everybody really enjoys being around each other, likes each other. And I just don't have any interest in living in the past, man. I wanna move forward in my life and that's all there is to it."
Anselmo recently inked the following letter via Loudwire.
"Well, first and foremost, I’d tell him I love him. I love the guy — as different as both of us are individually, we’re very different people. But the same can be said for all of us in Pantera. Rex [Brown] and I are very different people.
"Dimebag and everybody [were] very different people. I would let Vince Paul know that I love him very much, and I would apologize to him for his misinterpretation in not understanding where I was coming from in my lowest point in our career. And then I would definitely touch upon how much lack of communication played a big role in our breaking up. A lot of that is on my back, which I’ve completely f—in’ owned up to. But I’m not sure the rest of them have owned up to their side of things, especially Vince, when it comes to communication.
"At least in my life, I cannot hold onto grudges. It’s a waste of energy, a waste of time. And really, and I feel strongly about this, after we lost Dimebag in such a horrific way, I just cannot help but feel that Vinnie Paul’s entire healing process could have been helped a lot more had he reached out to Rex and I, and we could have healed somehow together — whether you want to call it ‘healing’ or not. But if we would have really focused together on this thing and come out of it as brothers — because we are brothers — in certain ways we could have formed an even stronger bond together. But that did not happen and I think it’s hurt us.
"Put it this way, I don’t ever expect Vince to bend or break on his stance at all, I really don’t. But if ever given the chance, man, to get straight back to your f—in’ question, I would just really give him all the apologies, I’d tell him I love him and then I would say, ‘Look, let’s get down to differences now. You’re gonna have to hear my side of it. Take it or leave it, because you can leave it – you’ve already locked it out for x amount of years. What’s the harm in hearing me out one on one, away from everybody? What’s the harm?’
"I have no anger toward Vince. No one can question a person — really he saw Darrell get shot. That’s a scarring thing for anybody. I wish it can be seen for what it is and that blame did not have to fall on anyone’s head or any circumstance. Because really it was a psychopath who had a hard-on for Pantera and it’s very well-known fact between Rex and I, between my family and myself — we all had to go through a lot of soul searching — but it could have been Rex, it could have been me, it could have been Vince. It was Darrell that was murdered and it’s just the way it happened. I could say, “I wish it would have been me’” or anything like that — I can say a million f—in’ things, man, and it still would not bring Dime back.
"So this is always gonna be a tough thing to talk about, and I really wish instead of talking about it in this interview, Vince and I can be talking about it together and just ironing this thing out. I’ll end it with this: I don’t think this is fair to the Pantera fans. I really don’t. When you’re a fan of a band, you don’t wanna hear about them fighting. You don’t want to hear about their negativity. You don’t want to read that s–t. You don’t want to f—in’ hear about that crap.
"I think it would mean a whole lot to a whole lot of people if one day Vince and I and Rex could all sit in the same room and work things out to the best of [our] abilities. I think everyone would breathe a great big sigh of relief, but the sad thing is I just don’t see it happening."
Here is a recent interview we conducted with Rex Brown, in which he talks about the bands chemistry when things were good and about the legacy of his brother Dimebag!
Photos by: Zulie Alvarez
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Showing posts with label loudwire. Show all posts
Showing posts with label loudwire. Show all posts
Wednesday, May 1, 2013
Philip Anselmo Pens Letter To Vinnie Paul, But Is A Reconciliation Even Possible?
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Wednesday, March 6, 2013
Brian "Head" Welch Discusses KORN's Future + LOVE AND DEATH!
On February 19, KORN posted a NEW group shot that includes Brian "Head" Welch as a member of the band (peep it HERE). The whole reuniting of the band begun last summer, when former guitarist Brian "Head" Welch joined the band at the Carolina Rebellion festival at the legendary Rockingham Speedway in Rockingham, North Carolina to perform the bands classic hit song "Blind".
Welch left KORN in 2005 to become a born-again Christian after years of hard drug and alcohol abuse while in the band. Although Welch has a NEW band called LOVE AND DEATH, "Head" is happy with his current relationship with the members of KORN. Loudwire recently chatted with "Head" about LOVE AND DEATH, and about his future in KORN. Check it out:
"Head" is scheduled to join the band at a number of shows this spring/summer; including the “Rock On The Range” festival in Columbus, Ohio in May (more info HERE). "Head" will also be part of next year's edition of the Rock am Ring and Rock im Park festivals, set to take place June 7-9, 2013 in the German towns of Nürburgring and Nürnberg, respectively.
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Tuesday, August 28, 2012
KING DIAMOND Talks About Undergoing Heart Surgery, NEW Music & More!
This past weekend, King Diamond was the special guest on
Full Metal Jackie’s radio show. Diamond talked about his experience with having triple bypass surgery, recovering from
it and how it will be “woven” into an upcoming album. King Diamond also
talked about some interesting encounters he has had with the
supernatural and much more. Here are a few excerpts of the interview (courtesy of Loudwire.com)
First I want to talk to you about your health because your first performance after triple bypass surgery was a year later with Merciful Fate during Metallica’s run of anniversary shows. Was that overwhelming – not just Metallica acknowledging your influence but that you were healthy enough to be there?
I didn’t even know if I was going to be able to do it. It was a tough round of course with rehab and a lot of changes in your life. I cut out cigarettes completely, had to do it, haven’t had a drag since a year and a half ago so changing of the diet, working out more and all this stuff. I have totally changed, I can also see in my body how everything has changed for the better.
The first thing was, three months after, they’re pretty tough on you. The surgeon said after ten days I was home from the hospital – first day he said you got to go out and walk half a mile and are you serious? I can barely stand up, I had to have help to get out of a chair, everything was totally weird but that it how they do it. One week later I was doing a mile, so you’re pushed out there and you almost feel like you shouldn’t be here, that you’ve been given a second chance but it’s strange.
I had to literally ask my wife when we were walking if she could really see me and feel me that I was actually there and not as a joke but really I had to have that confirmed so many times and that faded slowly down the road. Eventually I got the chance three months after the surgery I got to go down to say “Hi” to some friends, cool guys that also work in a band called Volbeat and met them during the day and got the chance to get up onstage during their sound check and that made everything in my chest rattle. It felt so bad I had to get out of there that was then. Six months after that I got to go see what was going on with Metallica – that was actually a year after with Metallica – but still I did not know what was going on.
My surgeon said everything in my chest looked good and it was back together well, ‘cause they saw you open and open you like a double door practically and then when they put it back together I saw for the first time an x-ray. A month or two before going to Metallica’s anniversary I had like a braided metal rod, sitting all the way down and that’s what was tying together the rib cage and had then had the rib cage screwed together around that. It’s amazing what they do but the whole thing of learning how to breathe again was pretty hard, breathing is completely different now. The voice is a million times better it’s like if I finally got to experience what it’s like to drive a brand new car and always use to have used cars for instance. That’s how my voice feels now, it’s easier to sing all the things than ever before and it sounds clearer all because of the no smoking.
It’s so much better and easier but getting up onstage that afternoon of the show and see what the loud sounds and the vibrations are going to do to me this time. Am I gonna tell them it’s not gonna work and I have to fly back? That was a possibility. So that was a pretty anxious moment when they turned the sound up and I felt nothing, no different and that’s what my surgeon had told me a month or two before when I saw the x-rays and all that stuff. He cleared me for doing it so I did that and it worked and that was quite a big relief but there are so many other things that you have to go through.
Three months later I had a benefit that I participated in and sang three songs with some local musicians, two King Diamond songs and one Mercy and that was even better so it was like “Wow this is going to be really interesting, it might be time to see if we can do a couple full shows.” That’s what we did two months ago and we did more than that actually because the rehearsals for it. We hadn’t been playing together in a long, long time so I had a theater in Denmark and we rehearsed there for a week and in six days I did five full shows practically – had a day off then did Sweden Rock and no problems. The breathing and moving around on this new production which is really big, we’ve never had a production that big before and running around that set, not feeling out of breath at all was very new and very nice to experience.
Now these last tests have been done and they went perfect so no it’s a matter of getting out there. We are arranging for everything now, setting everything up the right way. We have a new internet store for the first time and I know the fans for good reason have been haunting us for this stuff because it’s embarrassing, we’ve been so sloppy with that stuff of course for our own sake too you can certainly make some money off it to which is good for business because we like to turn around and invest a lot of it too. The money we made from these festivals and we invested the whole thing into the production.
We’re already getting invitations for other festivals next summer and I see us touring Europe, festival appearances maybe even doing one before that here in the U.S. and then I hope we can do the U.S.and do shows, not club shows but with the full production maybe sometime in Oct. We’ll see because they’re working on all this stuff. For the U.S. we’re just about to set up with a brand new agent over there so that’s going to be a powerhouse and doing things a whole different way. I would say a much bigger scale, same lineup that we’ve had for years so it’s all good and there will be new music too down the road. It won’t be too long before we start writing some new stuff so yeah a lot of stuff very busy. I’m trying to not be too busy because stress is not a friend of mine anymore.
Now being more conscious of your health, how has having triple bypass surgery been a life changing event for you?
Oh man, you have no idea. [Laughs] There are so many things that go into it, just the way you look at life afterwards is certainly different. It’s not like you become born again or anything life changing in that respect, I’m totally the same person. The best way to explain it is actually – let’s say I’m here at my house and I look out of the windows and now and then I see things through those windows – now it’s like I have the double amount of windows. I see so much more, I pay attention to so many more things – the smelling sensation, the taste sensation are enhanced by a hundred because I don’t smoke anymore.
Taking walks sometimes bring back memories of my childhood because a smell might trigger a memory. For instance a wooden fence, I walked by and I smelled it and suddenly I’m with my parents who are dead now, and with my brother on a vacation in Norway when we were kids and we’re walking the Viking ships somewhere, they’ve been sprayed by this special mist to preserve them and it just triggers memories like that suddenly. It’s different, you’re more alert, more aware, I don’t take anything for granted anymore, I’ll tell you that. If I’m not here tomorrow well so be it, I don’t want that but I’m much more prepared for that kind of scenario now.
It is weird but also the feeling in the beginning of not knowing “Can you see me? Can you feel when I do this?” and my wife is like “Hey, why are you being weird now?” You see people drive to work and we’re out walking after the operation and you get that feeling of “Man I could have just as well not have been here.” Then there’s all the stuff that comes with it, the hardship of you can’t lift a cup, you can’t get out of a chair, you can’t do anything. When they cut you up all the nerves are trying to find each other again and they still are today. You get these little pains here and there but I’ve been told it’s going to go on for years.
The thing about them having punctured your lungs is that you have to learn to breathe again, it’s a very, very weird feeling. I couldn’t drive or doing anything in the beginning of course. I love driving cars so I went behind the wheel before I was allowed to do it. It was a matter of not being able to move around the steering wheel properly with your arms but it’s just these things that – I want to move on I don’t want to just sit in a chair and that was the same thing in the hospital, two days after the operation I was up walking around with the help of a nurse of course. Then when they set me free from that, I was off to a normal department to continue to get better.
It was also the more you walked the sooner you’ll get out of there and I was walking day and night. It reminded me of lyrics from ‘The Graveyard’ for instance, walking the halls at night, no one was up it was just me walking these empty halls – such strange feelings but I can tell you I brought so much with me out of there for the next album.
I got some of the ultimate horrors waking up from the operation, was the worst I’ve ever experienced in my life but when I came to a little bit, my wife was there but I couldn’t see her. What I saw was only in black and white and I saw doctors leaning in over me, it could have been in a spaceship if they exist. They didn’t look quite human, it looked weird and then I started remembering that they told me “You will be on a breathing tube and very uncomfortable.” You want to try and breathe on your own but you can’t because you are forced to breathe in a certain way and you can try and give signals to these doctors to let them know that you can breathe on your own but you don’t know if you can, you have to learn breathing again.
When I came to I was desperately trying to signal something but it was like I couldn’t communicate, I had this tube in my mouth, I couldn’t do anything, I was blinking my eyes, trying anything. I think panic was striking and I tried to pull this tube out of my own mouth and then they came in and tied me down to the bed, they grabbed my hands and my legs and they tied me down. That feeling of being tied down and not being able to communicate, I felt horror, I felt like I was being choked to death slowly because I couldn’t breathe properly. I got so far out, had they been able to hear me they would have heard me begging them to please kill me because it felt that bad. I just really wished for them to kill me to end it.
Then you wake up later on and find the wife is there and it’s like “Wow you pulled through.” I was on the operating table for seven and a half hours and I was on two days back to back. The first day they had to do an operation for four hours, the day before, where they go in your thigh through a vein – you’re actually totally alert. That went well but it looked bad and it had something to do with the way its been in my family so it was hereditary.
They said I couldn’t have gotten such bad figures in my blood even if I tried eating the worse stuff and smoking 50 cigarettes a day, could not have given me that. I never really ate bad stuff but there’s a lot of things you find out afterwards now that I’ve been through meetings with nutritionists and my wife has become an expert on this stuff. You find out seafood is great right, not shrimp, that thing has the most cholesterol I didn’t know that before. Yeah it’s a weird thing but it hasn’t changed anything of my being the way I am, how I think, it’s just broaden my horizon, big time.
You mentioned new music earlier, will everything that has happened find its way into this new music?
Oh I’m sure. [Laughs] I’m sure there will be a lot of that stuff that I experienced that will be woven into a new album. It not be a story of what I experienced but the feelings behind it, those will come across maybe in other ways. There has been so much in the old albums too, throughout the career much more than anyone will ever know is real or real feelings behind it then you add something to it, to make the story fluent. There are so many more things in the stories and sometimes I really felt like “Oh man, you’re showing way to much of yourself here ” and then I’ll think “Well no one’s going to know if I don’t tell them.” It will be a lot of that here too, it might hit home for a lot of people maybe even deeper than before.
Read the rest of this interview HERE!
Make sure you listen to Full Metal Jackie HERE!
Join the revolution, contribute to our Indiegogo campaign! Click HERE: www.indiegogo.com/hornsup
Related links:
Official Site of King Diamond
King Diamond on Facebook
First I want to talk to you about your health because your first performance after triple bypass surgery was a year later with Merciful Fate during Metallica’s run of anniversary shows. Was that overwhelming – not just Metallica acknowledging your influence but that you were healthy enough to be there?
I didn’t even know if I was going to be able to do it. It was a tough round of course with rehab and a lot of changes in your life. I cut out cigarettes completely, had to do it, haven’t had a drag since a year and a half ago so changing of the diet, working out more and all this stuff. I have totally changed, I can also see in my body how everything has changed for the better.
The first thing was, three months after, they’re pretty tough on you. The surgeon said after ten days I was home from the hospital – first day he said you got to go out and walk half a mile and are you serious? I can barely stand up, I had to have help to get out of a chair, everything was totally weird but that it how they do it. One week later I was doing a mile, so you’re pushed out there and you almost feel like you shouldn’t be here, that you’ve been given a second chance but it’s strange.
I had to literally ask my wife when we were walking if she could really see me and feel me that I was actually there and not as a joke but really I had to have that confirmed so many times and that faded slowly down the road. Eventually I got the chance three months after the surgery I got to go down to say “Hi” to some friends, cool guys that also work in a band called Volbeat and met them during the day and got the chance to get up onstage during their sound check and that made everything in my chest rattle. It felt so bad I had to get out of there that was then. Six months after that I got to go see what was going on with Metallica – that was actually a year after with Metallica – but still I did not know what was going on.
My surgeon said everything in my chest looked good and it was back together well, ‘cause they saw you open and open you like a double door practically and then when they put it back together I saw for the first time an x-ray. A month or two before going to Metallica’s anniversary I had like a braided metal rod, sitting all the way down and that’s what was tying together the rib cage and had then had the rib cage screwed together around that. It’s amazing what they do but the whole thing of learning how to breathe again was pretty hard, breathing is completely different now. The voice is a million times better it’s like if I finally got to experience what it’s like to drive a brand new car and always use to have used cars for instance. That’s how my voice feels now, it’s easier to sing all the things than ever before and it sounds clearer all because of the no smoking.
It’s so much better and easier but getting up onstage that afternoon of the show and see what the loud sounds and the vibrations are going to do to me this time. Am I gonna tell them it’s not gonna work and I have to fly back? That was a possibility. So that was a pretty anxious moment when they turned the sound up and I felt nothing, no different and that’s what my surgeon had told me a month or two before when I saw the x-rays and all that stuff. He cleared me for doing it so I did that and it worked and that was quite a big relief but there are so many other things that you have to go through.
Three months later I had a benefit that I participated in and sang three songs with some local musicians, two King Diamond songs and one Mercy and that was even better so it was like “Wow this is going to be really interesting, it might be time to see if we can do a couple full shows.” That’s what we did two months ago and we did more than that actually because the rehearsals for it. We hadn’t been playing together in a long, long time so I had a theater in Denmark and we rehearsed there for a week and in six days I did five full shows practically – had a day off then did Sweden Rock and no problems. The breathing and moving around on this new production which is really big, we’ve never had a production that big before and running around that set, not feeling out of breath at all was very new and very nice to experience.
Now these last tests have been done and they went perfect so no it’s a matter of getting out there. We are arranging for everything now, setting everything up the right way. We have a new internet store for the first time and I know the fans for good reason have been haunting us for this stuff because it’s embarrassing, we’ve been so sloppy with that stuff of course for our own sake too you can certainly make some money off it to which is good for business because we like to turn around and invest a lot of it too. The money we made from these festivals and we invested the whole thing into the production.
We’re already getting invitations for other festivals next summer and I see us touring Europe, festival appearances maybe even doing one before that here in the U.S. and then I hope we can do the U.S.and do shows, not club shows but with the full production maybe sometime in Oct. We’ll see because they’re working on all this stuff. For the U.S. we’re just about to set up with a brand new agent over there so that’s going to be a powerhouse and doing things a whole different way. I would say a much bigger scale, same lineup that we’ve had for years so it’s all good and there will be new music too down the road. It won’t be too long before we start writing some new stuff so yeah a lot of stuff very busy. I’m trying to not be too busy because stress is not a friend of mine anymore.
Now being more conscious of your health, how has having triple bypass surgery been a life changing event for you?
Oh man, you have no idea. [Laughs] There are so many things that go into it, just the way you look at life afterwards is certainly different. It’s not like you become born again or anything life changing in that respect, I’m totally the same person. The best way to explain it is actually – let’s say I’m here at my house and I look out of the windows and now and then I see things through those windows – now it’s like I have the double amount of windows. I see so much more, I pay attention to so many more things – the smelling sensation, the taste sensation are enhanced by a hundred because I don’t smoke anymore.
Taking walks sometimes bring back memories of my childhood because a smell might trigger a memory. For instance a wooden fence, I walked by and I smelled it and suddenly I’m with my parents who are dead now, and with my brother on a vacation in Norway when we were kids and we’re walking the Viking ships somewhere, they’ve been sprayed by this special mist to preserve them and it just triggers memories like that suddenly. It’s different, you’re more alert, more aware, I don’t take anything for granted anymore, I’ll tell you that. If I’m not here tomorrow well so be it, I don’t want that but I’m much more prepared for that kind of scenario now.
It is weird but also the feeling in the beginning of not knowing “Can you see me? Can you feel when I do this?” and my wife is like “Hey, why are you being weird now?” You see people drive to work and we’re out walking after the operation and you get that feeling of “Man I could have just as well not have been here.” Then there’s all the stuff that comes with it, the hardship of you can’t lift a cup, you can’t get out of a chair, you can’t do anything. When they cut you up all the nerves are trying to find each other again and they still are today. You get these little pains here and there but I’ve been told it’s going to go on for years.
The thing about them having punctured your lungs is that you have to learn to breathe again, it’s a very, very weird feeling. I couldn’t drive or doing anything in the beginning of course. I love driving cars so I went behind the wheel before I was allowed to do it. It was a matter of not being able to move around the steering wheel properly with your arms but it’s just these things that – I want to move on I don’t want to just sit in a chair and that was the same thing in the hospital, two days after the operation I was up walking around with the help of a nurse of course. Then when they set me free from that, I was off to a normal department to continue to get better.
It was also the more you walked the sooner you’ll get out of there and I was walking day and night. It reminded me of lyrics from ‘The Graveyard’ for instance, walking the halls at night, no one was up it was just me walking these empty halls – such strange feelings but I can tell you I brought so much with me out of there for the next album.
I got some of the ultimate horrors waking up from the operation, was the worst I’ve ever experienced in my life but when I came to a little bit, my wife was there but I couldn’t see her. What I saw was only in black and white and I saw doctors leaning in over me, it could have been in a spaceship if they exist. They didn’t look quite human, it looked weird and then I started remembering that they told me “You will be on a breathing tube and very uncomfortable.” You want to try and breathe on your own but you can’t because you are forced to breathe in a certain way and you can try and give signals to these doctors to let them know that you can breathe on your own but you don’t know if you can, you have to learn breathing again.
When I came to I was desperately trying to signal something but it was like I couldn’t communicate, I had this tube in my mouth, I couldn’t do anything, I was blinking my eyes, trying anything. I think panic was striking and I tried to pull this tube out of my own mouth and then they came in and tied me down to the bed, they grabbed my hands and my legs and they tied me down. That feeling of being tied down and not being able to communicate, I felt horror, I felt like I was being choked to death slowly because I couldn’t breathe properly. I got so far out, had they been able to hear me they would have heard me begging them to please kill me because it felt that bad. I just really wished for them to kill me to end it.
Then you wake up later on and find the wife is there and it’s like “Wow you pulled through.” I was on the operating table for seven and a half hours and I was on two days back to back. The first day they had to do an operation for four hours, the day before, where they go in your thigh through a vein – you’re actually totally alert. That went well but it looked bad and it had something to do with the way its been in my family so it was hereditary.
They said I couldn’t have gotten such bad figures in my blood even if I tried eating the worse stuff and smoking 50 cigarettes a day, could not have given me that. I never really ate bad stuff but there’s a lot of things you find out afterwards now that I’ve been through meetings with nutritionists and my wife has become an expert on this stuff. You find out seafood is great right, not shrimp, that thing has the most cholesterol I didn’t know that before. Yeah it’s a weird thing but it hasn’t changed anything of my being the way I am, how I think, it’s just broaden my horizon, big time.
You mentioned new music earlier, will everything that has happened find its way into this new music?
Oh I’m sure. [Laughs] I’m sure there will be a lot of that stuff that I experienced that will be woven into a new album. It not be a story of what I experienced but the feelings behind it, those will come across maybe in other ways. There has been so much in the old albums too, throughout the career much more than anyone will ever know is real or real feelings behind it then you add something to it, to make the story fluent. There are so many more things in the stories and sometimes I really felt like “Oh man, you’re showing way to much of yourself here ” and then I’ll think “Well no one’s going to know if I don’t tell them.” It will be a lot of that here too, it might hit home for a lot of people maybe even deeper than before.
Read the rest of this interview HERE!
Make sure you listen to Full Metal Jackie HERE!
Join the revolution, contribute to our Indiegogo campaign! Click HERE: www.indiegogo.com/hornsup
Related links:
Official Site of King Diamond
King Diamond on Facebook
Friday, August 10, 2012
Listen to Chris Jericho's FOZZY Right Now; 'Sin And Bones' Available For Streaming!
FOZZY's NEW album 'Sin and Bones' is coming your way on August 14th via Century Media Records! Exclusive pre-order packages are available now at CM Distro and can be purchased at the link below. The brainchild of WWE superstar Chris Jericho and Stuck Mojo mastermind Rich Ward delivers 10 hard-hitting tracks:
01. Spider In My Mouth
02. Sandpaper
03. Blood Happens
04. Inside My Head
05. Sin And Bones
06. A Passed Life
07. She's My Addiction
08. Shine Forever
09. Dark Passenger
10. Storm The Beaches
Listen to FOZZY's NEW Album 'Sin And Bones' HERE (courtesy of LOUDWIRE)!
For the latest FOZZY news, be sure to join the band on Facebook, where they post daily updates and frequent exclusive video content: www.facebook.com/fozzyrock. For information on FOZZY VIP packages for all of their upcoming shows, visit www.FozzyRock.com, and for a full list of Uproar dates as well as more information on the festival, meet and greets, etc., visit www.RockstarUPROAR.com.
Rockstar Energy Drink UPROAR Festival and FOZZY headlining dates are as follows:
- Friday, 8/17: Kansas City, MO @ Capitol Federal Park at Sandstone
- Saturday, 8/18: Little Rock, AR @ Arkansas State Fairgrounds (KDJE Radio Show)
- Wednesday, 8/22: Chicago, IL @ First Midwest Bank Amphitheatre
- Friday, 8/24: Holmdel, NJ @ PNC Bank Arts Center
- Saturday, 8/25: Syracuse, NY @ TBA
- Sunday, 8/26: Mansfield, MA @ Comcast Center
- Tuesday, 8/28: Scranton, PA @ Toyota Pavilion at Montage Mountain
- Thursday, 8/30: New York City, NY @ Gramercy Theater (FOZZY HEADLINING SHOW)
- Friday, 8/31: Pittsburgh, PA @ First Niagara Pavilion
- Saturday, 9/1: Saratoga, NY @ Saratoga Performing Arts Center
- Sunday, 9/2: Bristow, VA @ Jiffy Lube Live
- Wednesday, 9/5: Simpsonville, SC @ Charter Amphitheatre at Heritage Park
- Friday, 9/7: Detroit, MI @ DTE Energy Music Theatre
- Saturday, 9/8: Noblesville, IN @ Klipsch Music Center
- Sunday, 9/9: Cleveland, OH @ Blossom Music Center
- Tuesday, 9/11: Raleigh, NC @ Time Warner Cable Music Pavilion at Walnut Creek
- Wednesday, 9/12: Atlanta, GA @ Aaron's Amphitheatre at Lakewood
- Thursday, 9/13: Tampa, FL @ 1-800-ASK-GARY Amphitheatre
- Saturday, 9/15: Houston, TX @ Woodlands Pavilion
- Sunday, 9/16: Dallas, TX @ Gexa Energy Pavilion
- Wednesday, 9/19: Salt Lake City, UT @ USANA Amphitheatre
- Friday, 9/21: Spokane, WA @ Greyhound Park and Events Center
- Saturday, 9/22: Auburn, WA @ White River Amphitheatre
- Sunday, 9/23: Portland, OR @ Sleep Country Amphitheater
- Tuesday, 9/25: Boise, ID @ Idaho Center Amphitheater
- Thursday, 9/27: West Hollywood, CA @ Roxy Theatre (FOZZY HEADLINING SHOW)
- Saturday, 9/29: Phoenix, AZ @ Ashley Furniture HomeStore Pavilion
- Sunday, 9/30: Albuquerque, NM @ Hard Rock Casino Presents: The Pavilion
Related links:
Buy FOZZY's music and merch HERE!
Chris Jericho's Official Site
Fozzy's Official Site
Labels:
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century media records,
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loudwire,
m shadows,
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stream,
track listing,
uproar festival,
wrestling,
wwe
Tuesday, July 31, 2012
MACHINE HEAD Premiere Music Video For "Darkness Within" - Commentary By Robb Flynn Available!
Today, MACHINE HEAD are premiering their NEW music video for the song "Darkness Within" via Loudwire.com. The clip was filmed in the Czech Republic between May 4 and May 9. The song comes off the band's latest studio album, 'Unto The Locust' (available now via Roadrunner Records). Here is the bands Robb Flynn commentary about the production of the video:
"The first time I visited Prague was on the 'Burn My Eyes' tour cycle in 1994 as support to SLAYER. I'll never forget the city. I was blown away, I'd never seen anything like it before or since. The baroque and gothic architecture, the religious symbolism everywhere, the Charles Bridge, St. Vitus's cathedral, but also the Eastern Block feel it still carried, it was one of the most unique and beautiful cities I'd ever seen and still is.
"And yet, it had a dark underbelly to it that ran through her streets. Heroin use was open and rampant back then, and having dabbled in that, and having had friends who did more than dabble, I was all too aware of it. But there was something about that that charmed me. That there could be that dark side within such a beautiful, religious place. I said right there and then, 'I want to do a video here someday.'
"When our label, Roadrunner Records, approached us about shooting a video for 'Darkness Within', I already had a lofty concept. It tied in perfectly with the fact that we were hitting Prague opening for METALLICA, so I wrote a pretty fucked up treatment for the video, and then refined it over the next two days, sent it to the band, and they loved it.
"I got sent a bunch of video by other bands to look at directors, and honestly, I fuckin' HATE most videos nowadays, especially metal bands' videos. They're boring, thoughtless and pointless. Dudes in a warehouse playing. But there have been two bands in particular who have always impressed me with their videos. RAMMSTEIN and BEHEMOTH. RAMMSTEIN, with their insanely creative, movie-like, performance-less videos. They've been pushing the video concept for years, from the bizarro-world of 'Sonne', to the stark sadness of 'Ohne Dich', or the flat-out controversial awesomeness of 'Pussy'. These dudes know how to make people care about a video. It's art.
"And BEHEMOTH, too, they continue to make videos that blow me away. 'At Left Hand Ov God' was huge, but 'Lucifer', man, 'Lucifer', it was a game changer. I remember seeing 'Lucifer' for the first time, we were just about done editing the 'Locust' video (which we were very happy with), we had one scene left to shoot, fly in and it was done. I took a break and stumbled on 'Lucifer', loaded it up and watched it with my video director Mike Sloat, it blew my head off. I looked at Mike and said, 'That is the future of videos, in one fell swoop, Nergal just changed why bands make videos.' It was dark and beautiful, weird and cool, erotic and evil, and totally fucked.
"It was inspiring, not in the sense that I wanted to make a video that looked like 'Lucifer', I didn't, but in the way that it became so crystal clear that the former restrictions and guidelines that bands used to have placed on them from MTV no longer applied. There is no reason for a metal band to make a video for MTV anymore. They don't play videos, and if they do, it won't be metal.
"'Headbangers Ball' is on MTV2.com!? I love Jose [Mangin], and the interviews are great, but who goes there to watch their video playlist when you can go to YouTube and watch exactly what you want in an instant? Music videos are for the Internet, Vimeo, and YouTube… or in the case of RAMMSTEIN's 'Pussy', YouPorn! You're free to go as crazy, or artful, or weird, or provocative as you want. There is NO REASON for a band to stand in a warehouse and play their instruments. Those days are gone. They're not coming back.
"So with that mindset, at 3 a.m. on a jet-lagged, sleepless morning, I had a burst of inspiration and I wrote a treatment that made a crazy, warped, poetic, epic, dark story that's partially attached to the lyrics, but also adds a visual meant more to evoke images, to disturb, to arouse vague, uncomfortable feelings, primal feelings. We shot it over six days in Prague with a great company called Meija Productions, I co-directed it along with Milan Basel and Jorge Nunez. It was shot in three locations: downtown Prague, a small village called Krashov (which means 'fadeless'), an awesome rock bar in Prague run by a great dude named Jakob called Mighty Bar, and briefly at the infamous Bone Church in Korta Huna.
"The scenes in front of and inside St. Vitus cathedral were shot on location; we actually snuck into St Vitus at 6:30 a.m. to shoot the scenes and got kicked out by a very angry, eerily calm priest, who walked up to us with unblinking eyes locked, and said four words that chilled me to the bone: 'You must leave now.' My director of photography protested, and in the same intensely calm voice, the priest stared into our souls and repeated, 'You must leave now.'
"I was fuckin' outta there!
"The rest was shot in a small village about five hours outside of Prague where myself and our man-of-many-hats Pando stayed with me in what we called 'the Russian bunker,' a hotel (really a converted farm house) that was straight out of post-World War II Russia; no heater, woodburning stove, but it was homey with a friendly non-English-speaking staff. The church we filmed in had been abandoned for about 100 years, but still had German plaques from when the Germans still controlled that part of the Czech Republic. It was fucking cold!! Three days in a row we shot 20-hour days, getting three hours of sleep, wake up and repeat. I talked some locals (an all-girl horse-breeding team) into hiring their horses to us, and they rode them nearly four miles to where we were, and they were bad-ass horses, much like the ladies who rented them.
"The rest of the guys came in a few days later, and did a great job, Dave [McClain, drums] nearly got thrown from his horse, and then later it tried to kick him! Adam [Duce, bass], in particular, rode really well. Their crew was great, and we all became quite fond of the make-up artist. The rest of the cast were hired by the directors and they froze along with us and they did a fantastic job, though none of them spoke a single word of English. It was strange, fun and vastly huge undertaking, and I am certain the Head Cases of the world will love it! SO proud of the end result."
Click HERE to watch Machine Head's NEW music video for "Darkness Within"!
As previously reported, MACHINE HEAD has been added to the two-date festival set to take place on August 17 in Council Bluffs, Iowa and August 18 in Somerset, Wisconsin.
Commented the festival organizers: "The mighty MACHINE HEAD has been tapped as one of the artists to replace the cancelation of LAMB OF GOD and DETHKLOK. We are very excited that MACHINE HEAD is rushing back from Europe to play Knotfest. They will perform at both the Iowa and Somerset/Minneapolis Knotfest shows. We expect to announce another artist in the next day or two."
Scheduled performers for Knotfest:
SLIPKNOT
DEFTONES
MACHINE HEAD
GOJIRA
SERJ TANKIAN
THE URGE
PRONG
CANNIBAL CORPSE
Join the revolution, contribute to our Indiegogo campaign! Click HERE: www.indiegogo.com/hornsup
Related links:
Machine Head
"The first time I visited Prague was on the 'Burn My Eyes' tour cycle in 1994 as support to SLAYER. I'll never forget the city. I was blown away, I'd never seen anything like it before or since. The baroque and gothic architecture, the religious symbolism everywhere, the Charles Bridge, St. Vitus's cathedral, but also the Eastern Block feel it still carried, it was one of the most unique and beautiful cities I'd ever seen and still is.
"And yet, it had a dark underbelly to it that ran through her streets. Heroin use was open and rampant back then, and having dabbled in that, and having had friends who did more than dabble, I was all too aware of it. But there was something about that that charmed me. That there could be that dark side within such a beautiful, religious place. I said right there and then, 'I want to do a video here someday.'
"When our label, Roadrunner Records, approached us about shooting a video for 'Darkness Within', I already had a lofty concept. It tied in perfectly with the fact that we were hitting Prague opening for METALLICA, so I wrote a pretty fucked up treatment for the video, and then refined it over the next two days, sent it to the band, and they loved it.
"I got sent a bunch of video by other bands to look at directors, and honestly, I fuckin' HATE most videos nowadays, especially metal bands' videos. They're boring, thoughtless and pointless. Dudes in a warehouse playing. But there have been two bands in particular who have always impressed me with their videos. RAMMSTEIN and BEHEMOTH. RAMMSTEIN, with their insanely creative, movie-like, performance-less videos. They've been pushing the video concept for years, from the bizarro-world of 'Sonne', to the stark sadness of 'Ohne Dich', or the flat-out controversial awesomeness of 'Pussy'. These dudes know how to make people care about a video. It's art.
"And BEHEMOTH, too, they continue to make videos that blow me away. 'At Left Hand Ov God' was huge, but 'Lucifer', man, 'Lucifer', it was a game changer. I remember seeing 'Lucifer' for the first time, we were just about done editing the 'Locust' video (which we were very happy with), we had one scene left to shoot, fly in and it was done. I took a break and stumbled on 'Lucifer', loaded it up and watched it with my video director Mike Sloat, it blew my head off. I looked at Mike and said, 'That is the future of videos, in one fell swoop, Nergal just changed why bands make videos.' It was dark and beautiful, weird and cool, erotic and evil, and totally fucked.
"It was inspiring, not in the sense that I wanted to make a video that looked like 'Lucifer', I didn't, but in the way that it became so crystal clear that the former restrictions and guidelines that bands used to have placed on them from MTV no longer applied. There is no reason for a metal band to make a video for MTV anymore. They don't play videos, and if they do, it won't be metal.
"'Headbangers Ball' is on MTV2.com!? I love Jose [Mangin], and the interviews are great, but who goes there to watch their video playlist when you can go to YouTube and watch exactly what you want in an instant? Music videos are for the Internet, Vimeo, and YouTube… or in the case of RAMMSTEIN's 'Pussy', YouPorn! You're free to go as crazy, or artful, or weird, or provocative as you want. There is NO REASON for a band to stand in a warehouse and play their instruments. Those days are gone. They're not coming back.
"So with that mindset, at 3 a.m. on a jet-lagged, sleepless morning, I had a burst of inspiration and I wrote a treatment that made a crazy, warped, poetic, epic, dark story that's partially attached to the lyrics, but also adds a visual meant more to evoke images, to disturb, to arouse vague, uncomfortable feelings, primal feelings. We shot it over six days in Prague with a great company called Meija Productions, I co-directed it along with Milan Basel and Jorge Nunez. It was shot in three locations: downtown Prague, a small village called Krashov (which means 'fadeless'), an awesome rock bar in Prague run by a great dude named Jakob called Mighty Bar, and briefly at the infamous Bone Church in Korta Huna.
"The scenes in front of and inside St. Vitus cathedral were shot on location; we actually snuck into St Vitus at 6:30 a.m. to shoot the scenes and got kicked out by a very angry, eerily calm priest, who walked up to us with unblinking eyes locked, and said four words that chilled me to the bone: 'You must leave now.' My director of photography protested, and in the same intensely calm voice, the priest stared into our souls and repeated, 'You must leave now.'
"I was fuckin' outta there!
"The rest was shot in a small village about five hours outside of Prague where myself and our man-of-many-hats Pando stayed with me in what we called 'the Russian bunker,' a hotel (really a converted farm house) that was straight out of post-World War II Russia; no heater, woodburning stove, but it was homey with a friendly non-English-speaking staff. The church we filmed in had been abandoned for about 100 years, but still had German plaques from when the Germans still controlled that part of the Czech Republic. It was fucking cold!! Three days in a row we shot 20-hour days, getting three hours of sleep, wake up and repeat. I talked some locals (an all-girl horse-breeding team) into hiring their horses to us, and they rode them nearly four miles to where we were, and they were bad-ass horses, much like the ladies who rented them.
"The rest of the guys came in a few days later, and did a great job, Dave [McClain, drums] nearly got thrown from his horse, and then later it tried to kick him! Adam [Duce, bass], in particular, rode really well. Their crew was great, and we all became quite fond of the make-up artist. The rest of the cast were hired by the directors and they froze along with us and they did a fantastic job, though none of them spoke a single word of English. It was strange, fun and vastly huge undertaking, and I am certain the Head Cases of the world will love it! SO proud of the end result."
Click HERE to watch Machine Head's NEW music video for "Darkness Within"!
As previously reported, MACHINE HEAD has been added to the two-date festival set to take place on August 17 in Council Bluffs, Iowa and August 18 in Somerset, Wisconsin.
Commented the festival organizers: "The mighty MACHINE HEAD has been tapped as one of the artists to replace the cancelation of LAMB OF GOD and DETHKLOK. We are very excited that MACHINE HEAD is rushing back from Europe to play Knotfest. They will perform at both the Iowa and Somerset/Minneapolis Knotfest shows. We expect to announce another artist in the next day or two."
Scheduled performers for Knotfest:
SLIPKNOT
DEFTONES
MACHINE HEAD
GOJIRA
SERJ TANKIAN
THE URGE
PRONG
CANNIBAL CORPSE
Join the revolution, contribute to our Indiegogo campaign! Click HERE: www.indiegogo.com/hornsup
Related links:
Machine Head
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