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Tuesday, October 2, 2012

GWAR Presents NEW Band Member Via A Cover Of KANSAS' "Wayward Son" - Video Available!

Yesterday we reported that GWAR have announced that the long-lost cousin of Flattus, Pustulus Maximus, has officially joined the band in the position of lead guitarist, and will join with the group on their upcoming "Fate or Chaos" tour with DevilDriver.

Pustulus offered his first words to the press with the following, "At this point I have nothing to say to the press, even though I am talking to you. I will let my guitar speak for itself. But let me add that I am blood-sworn to honor the legacy of the great Flattus and indeed the whole Maximus tribe. I didn't come here to fuck around. HAIL FLATTUS!"

As promised yesterday, GWAR have unleashed a video of them covering KANSAS’ “Wayward Son” Watch it now!



GWAR Live With DevilDriver, Cancer Bats and Legacy of Disorder:

10/12: Philadelphia, PA @ Electric Factory - Tickets 
10/13: Worcester, MA @ The Palladium ("Rock and Shock") - Tickets 
10/14: Clifton Park, NY @ Upstate Concert Hall - Tickets 
10/15: New Haven, CT @ Toad's Place - Tickets 
10/16: Brooklyn, NY @ Music Hall of Williamsburg - Tickets 
10/18: Atlanta, GA @ The Masquerade - Tickets 
10/19: Ybor City, FL @ The Ritz Ybor - Tickets 
10/20: Ft. Lauderdale, FL @ Revolution - Tickets 
10/22: Charlotte, NC @ Amos' Southend - Tickets 
10/24: New Orleans, LA @ House of Blues - Tickets 
10/25: Austin, TX @ Emo's - Tickets 
10/26: Dallas, TX @ House of Blues - Tickets 
10/27: Houston, TX @ House of Blues - Tickets 
10/28: Oklahoma City, OK @ The Chameleon Room - Tickets 
10/29: Little Rock, AR @ The Rev Room - Tickets (NO DD or Cancer Bats)
10/30: Kansas City, MO @ Beaumont Music Hall - Tickets (No DD or Cancer Bats)
10/31: Denver, CO @ Summit Music Hall - Tickets 
11/1: Albuquerque, NM @ Sunshine Theater - Tickets 
11/2: Tempe, AZ @ The Marquee - Tickets 
11/3: Santa Ana, CA @ The Observatory - Tickets 
11/4: West Hollywood, CA @ House of Blues - Tickets 
11/5: Santa Cruz, CA @ The Catalyst - Tickets 
11/6: Sacramento, CA @ Ace of Spades - Tickets 
11/8: Boise, ID @ Knitting Factory - Tickets 
11/9: Portland, OR @ Roseland Theater - Tickets 
11/10: Seattle, WA @ Showbox SODO - Tickets 
11/11: Spokane, WA @ Knitting Factory - Tickets 
11/12: Vancouver, BC @ Vogue Theater - Tickets 
11/14: Edmonton, AB @ Edmonton Events Centre - Tickets 
11/15: Calgary, AB @ MacEwan Hall Ballroom - Tickets 
11/16: Saskatoon, SK @ Odeon Events Centre - Tickets 
11/17: Winnipeg, MB @ The Garrick Center - Tickets 
11/18: Minneapolis, MN @ First Avenue - Tickets 
11/19: Joliet, IL @ Mojoes - Tickets 
11/20: Grand Rapids, MI @ The Intersection - Tickets 
11/21: Milwaukee, WI @ The Rave - Tickets 
11/23: Detroit, MI @ Harpo's - Tickets 
11/24: Toronto, ON @ Sound Academy - Tickets 
11/26: Millvale, PA @ Mr. Smalls Theater - Tickets 

With Kepone and Iron Reagan         
12/20: Washington, DC @ 9:30 Club - Tickets 
12/21: Norfolk, VA @ The Norva - On Sale 9/15 - Tickets

Related links:
GWAR

BARONESS Issue Detailed Letter Following Near Fatal Bus Crash!


BARONESS, in a letter to their fans, have issued their first post-accident update since August. The four band members and five person crew suffered a variety of injuries in the harrowing August 15 accident which saw the band's bus plummet 30 feet down off of a viaduct outside of Bath, England. The East Coast-based band were in the final week of an extensive European tour following the release of their critically-acclaimed double album, 'Yellow & Green'.

Singer/guitar player John Baizley broke his left arm and leg, drummer Allen Blickle and Matt Maggioni each suffered fractured vertebrae while guitar player Pete Adams was treated for minor injuries.

Baroness previously announced all remaining 2012 tour dates are cancelled.

Here is the letter that the band wrote for their fans to be on the loop on the present and the future of the band:

On August 15th, just before 11 am, Baroness and our crew were involved in a very bad crash while on tour. The brakes in our bus failed completely, on a notoriously dangerous, incredibly steep (12% grade) hill in Monkton Combe, UK, on our way from a show Bristol to another show in Southampton. Our bus went entirely out of control, and we had no choice other than hitting a perpendicular guardrail going about 50 mph at the bottom of the hill. The guard rail and the 20 or 30 trees we ploughed through snapped like matchsticks as we went fully airborne and fell down more than 30 feet off of a viaduct to the ground below. Half of the band/crew were asleep while we lost our brakes, and a few of us were awake and sitting in the rear lounge. I was up front with our driver, and I bore witness to the entire thing. Once our brakes failed, the bus could do little more than gain momentum and plummet down the hill. There was nothing anyone on the bus could have done during our descent to avoid the crash, and no one, the local residents, the police or any of us can believe we survived the impact.

Most people who have been in accidents understand the pre-trauma sensation of time slowing down. There were almost two minutes during which I knew we were heading for a collision. It felt like two hours. I remember the sound of the air-brakes failing, and the panicked cursing of our driver as we slowly realized how desperate the situation was. I tried as hard as I could to yell and wake everyone up to prepare for impact. I remember the sounds of confusion from behind me as our collective terror rose. I remember seeing the guardrail split, then a cluster of trees smacking against the front windshield. While we were airborne my eyes met with our driver’s. I knew then that we each shared the same look on our face; and I won’t soon forget it. We had spent enough time in the air to appreciate, make peace with and accept a fate we thought inevitable, and we looked at one another with a horribly silent “goodbye” in our eyes.

When the bus hit the ground, I flew like a missile into the windshield. I can still see the double-paned auto glass turning blue and the spider-webbing cracks spreading outwards from the impact my body made. I hit the glass so hard, that the entire windshield flew from the frame to the ground, and I bounced back inside the bus. I landed on the ledge of the windshield. This came with an immediate and overwhelming pain throughout my body. I surveyed the damage to see instantly that my left leg was very obviously and badly broken. Then I lifted my arms forward to see if either had been damaged. My right arm was covered in burns, blood and broken glass, but working well enough. My left arm was crushed beyond belief, broken in the middle of the bone in my upper arm (humerus), and hanging 90 degrees backwar ds, with many spurs of bone poking through muscles and sinew at the surface of my skin. The bone was shattered into seven free-floating pieces, and my wrist and hand were swinging behind my back, spasming freely. Instinctively, I reached behind my back, grabbed my wrist and re-broke my arm forwards, hugging it to my chest, where it remained for the next three hours until it was cast in plaster. Meanwhile, I watched as some of the band was able to get off the bus and help the others, many of whom were broken-up as well, and several of whom were unconscious. There was blood, glass and diesel fuel everywhere.

We were all rushed to the hospital in Bath, and treated for our various injuries, broken arms, legs, vertebrae, bruises, cuts, etc. Our driver was air lifted to a separate hospital with many breaks as well. A few of us had to remain in the hospital for a few days, I was hospitalized for two weeks, following an eight-hour surgery in which my arm was rebuilt with the aid of 2 massive titanium plates, 20 screws and a foot-and-a-half of wire. The 15″ incision took almost 50 staples to close up. I was left completely immobilized for the remainder of my hospital stay, able to do next-to-nothing on my own and in need of constant care. Following those excruciating first two weeks, I was quite literally stuck in an apartment for another three weeks with my family while waiting for my doctor to allow me to safely board an airplane, for fear of bloodclots and swelling. I have just this past week returned back to the US and my home, where I am wheelchair-bound for another several weeks of physical therapy, learning to use my arm and leg again.

While I cannot lift a glass of water to my lips to drink with my left arm and hand, I am still able to play music with it. I picked up a guitar and played the day after I returned. Not without pain (for the time being), but the hand still acts out the creative impulses I give it. I’m told I was quite lucky to have regained any use at all of my hand and arm, though I have sustained quite extensive nerve damage. In spite of this and against my logic and reason, when I pick up an instrument, my hand remembers exactly what to do. It’s far from perfect, and will require a lot of therapy in order to recover mobility and strength, but I am encouraged by the ability I have been allowed. I do not believe in superstitious signs, but I am truly overwhelmed to have been granted the continued use of my hands.

As a result of the crash, I feel encouraged not only to recover, but to move forward with Baroness, as we had been doing every day previous to August 15th. This accident has inflicted an injury which has left its mark on the band: physically, mentally and spiritually. In order to rehabilitate ourselves fully, we must work towards and then past the goals we had prior to the accident. I will consider our immediate recovery a success only on the day we plug back in to play another show.

We cannot allow this accident, which I believe is unrelated to the band or our music, to slow down or stifle what has become so much more than a passionate hobby for the four of us. Through Baroness, we have discovered a method by which we may harness our drive to create, and channel all the emotion, anxiety and pain in our lives into something constructive. Music is the universal means of communication we have chosen to express ourselves. Our message has never been one of the absolute positive or negative, neither black nor white. True life occurs within the shades of grey, and I see this experience form that perspective. It seems only fitting to me that we continue working towards creating and performing again as soon as possible, as this band and its music are the vehicle through which we grow as individuals, artists and brothers. The injury the band suffered is an injury to my family and loved ones. Rather than allow it to become a wedge that forces us apart, I would like to see this experience become part of the glue that strengthens us. We have only begun to accomplish what we set out to do through this band. There is so much more to say, and though we do need to heal up a bit; we will not allow any of those things to be left unsaid.

I have no regrets about touring. I don’t blame music or the touring lifestyle for my current physical state, or for the accident itself. It happened the same way all things happen: randomly. If I was a carpenter, and I was injured on the way to the job-site, I wouldn’t consider quitting my job. That is truly how I see this situation. Baroness doesn’t stop because we got hurt on the way to work. We love what we do much more than that, and we have chosen this path because it offers us an unpredictable adventure. With any adventure that involves travel, and with any real passionate pursuit, one will occasionally come face-to-face with the reality of living on the other side of the yellow line. I didn’t choose to be a musician in order to live a risk-free life, safely avoiding bumps and bruises. I didn’t choose to play music because it seemed like a simple opportunity to make some quick cash. Nor did I ever make the assumption that things would get easier as we progressed.



We can do nothing but attempt to make something constructive and beautiful out of all this disaster, and we are well on the way to becoming active again. I have used this time, stuck inside my own head, to consider the importance of music and Baroness in my life. I can say, after nearly 6 weeks of reflection, that I feel more resolute and passionate about our music than ever. I have come to realize the importance of time in this particular equation, that is, I have none to waste and none to spare. There is no better moment than now, broken and in physical stasis, to devote ourselves more fully towards our art than ever. We cannot allow the traumatic fallout of our crash to cripple us internally. It seems simple: the shows we have cancelled we will reschedule and play in the future. It isn’t going to happen next week nor will it be next month. But it will happen. We will be back on tour as soon as we possibly can.

There was one moment in the crash that cut me deeply. For one heartbeat and one tiny sliver of time, I became disconnected entirely. It was, specifically, the moment I impacted with the glass. In that barest heartbeat of a moment, I came face to face with the infinite. I didn’t see a light, or the tunnel or hear any music. Nor did I get a “best-of” montage of my life. Instead, I felt the tip of my nose brush up against the very same fate I had accepted moments before. I looked into a cold, unreflective mirror. It was the dark, silent, dispassionate logic of the end. I realized in that moment that life can be seen as a light switch: “on” or “off”. When the moment passed and I heard the screaming, felt the pain, and tasted my own blood, I was overcome with joy. I was ecstatic to be back amidst all that chaos and horror because it was alive and real. I finally glimpsed the relative importance of all things. The support of our fans, our friends and our families has real meaning to me now. I say that now honestly, without false humility. Thank you. Everyone.

Till the wheels fall off . . .

- John Baizley & Baroness

Related links:
Click here to listen to BARONESS' 'Yello & Green' (courtesy of NPR)
Baroness' Official Site
Baroness on Facebook

NIGHTWISH Drama: Anette Olzon Closes Official Blog After Leaving The Band - Last Post Available!

So the NIGHTWISH drama continues. While the band is playing it off as an amicable break up, it seems like former singer Anette Olzon quit the band after the band failed to keep her on the loop regarding their decision to replace her for one show after she had a medical emergency: "I was never asked if it was OK they used Elize (Ryd) and Alissa (White-Gluz) in the show [Friday] night. I don't think it's a good decision they made and I'm sorry for those of you who came to see the whole band but got something else. But I was very ill and this decision wasn't mine."

She continued, "I got very ill and thought it was a kidney stone. I got worse in the evening and started vomiting heavily. The hospital said I should cancel the show and come straight to the ER. I was there all night and they did blood tests, ultrasounds on my kidneys and finally a CT scan. The tests didn't show why I was so ill, but probably the stomach pain has a connection with me having the flu, or just stress.

"They did find something else, though, and for that I'm grateful – if I didn't do the scan, I wouldn't know there's a big cyst in my liver and I need to go check it out at home."

Following this breaking news, Olzon has "closed" her official blog, just hours after it was announced that she was parting ways with the group. In her final message to the fans, she wrote:

"Dear blog readers: With this I say farewell to you and this blog. This blog was a way for me, as the singer in NIGHTWISH, to keep more in touch with you, NIGHTWISH fans. Now when this chapter has ended, there is no more need for me to do this blog and from today I close it.

"I want to thank you all for being my readers for so many years, for your loving support and I wish you all a happy and healthy life! Stay kind to others and live life easy!

"Lots of love, Anette Olzon (from now on just Anette Olsson;=)"

A note from the band: "NIGHTWISH has no intention of cancelling any upcoming shows, and as a result we have decided to bring in a substitute vocalist starting in Seattle 1.10.2012. Her name is Floor Jansen from the Netherlands (ex-AFTER FOREVER, REVAMP), and she has graciously stepped in to help us complete the ”Imaginaerum” world tour."

Related links:
Nightwish

Monday, October 1, 2012

FOZZY Premiere Music Video For "Sandpaper" (Starring M. Shadows From AVENGED SEVENFOLD)!


FOZZY's video for their NEW song "Sandpaper" can be seen right now at WWE.com. The song features a guest appearance by AVENGED SEVENFOLD singer M. Shadows, and is part of the bands latest album 'Sin And Bones' (available now via Century Media Records).

'Sin And Bones' sold around 3,400 copies in the United States in its first week of release to debut at position No. 143 on the Billboard 200 chart. The CD landed at position No. 1 on the Top New Artist Albums (Heatseekers) chart, which lists the best-selling albums by NEW and developing artists, defined as those who have never appeared in the Top 100 of The Billboard 200.

Click HERE to watch the video for FOZZY's "Sandpaper"

Here is a recent interview that we conducted with Chris Jericho:



Related links:
Buy FOZZY's music and merch HERE!
Chris Jericho's Official Site
Fozzy's Official Site'

Philip Anselmo Keeps Getting Asked About A PANTERA "Reunion"!


It seems like the Heavy Music community is having a hard time moving on from the PANTERA days and focusing on the massive amount of talented bands that surfaced after the demise of PANTERA 11 years ago. While both Vinnie Paul (drummer) and Rex Brown (bassist) discard a PANTERA "reunion" since it is impossible to bring legendary guitarist "Dimebag" Darrell Abbott back from the dead, Philip Anselmo is ready to do it!

While this is a constant topic of discussion, we believe it is time to move on and let the PANTERA legacy be! Many believe that Zakk Wylde would be the perfect man to pay tribute to Dime, but to be honest you need at least two guitarists if you want to get even close to PANTERA infamous guitar sound. At the recent Metal Masters IV in New York City, it took SLAYER's Kerry King and Gary Hold, PLUS ANTHRAX's Scott Ian, to perform a slew of PANTERA songs and they managed to give them justice.

According to a recent interview with the Village Voice, Anselmo and Wylde spoke recently about the possibility of a PANTERA "reunion":

"I talked to Zakk about two weeks ago, and he's very open for it. He's got an open mind about it. But, truth be told, Vince [Abbott] has got a grudge against me that is really unfounded. And, honestly, I've always had a wide-open door when it comes to Vince.

"If it takes me standin' there and lettin' that little guy punch me in the fuckin' face repeatedly, over and over and over, til his hands were tired of hittin' my rock-hard fuckin' head, as long as we could sit down and talk afterwards, I'm all for it, man.

"Well, now, I didn't say that the Pantera thing is a realistic thing. I don't think that's the important thing. I think what the important thing is, what Zakk and I discussed, is just Vince actually dropping his guard and realizing there is no treachery afoot."

Here are a couple of interviews we conducted with Vinnie and Rex, in which they make it VERY clear that a PANTERA "reunion" is not going to happen.





Photo by: Zulie Alvarez (www.zuliephotographierocks.com/)


Related links:
Official Pantera site